Takes 2 extra delays and roughly 10 channels/tracks for a stereo setup not including the original 2 source tracks/channels. Detune is essentially identical to Chorus when the LFO chosen for Chorus is a sawtooth wave. Combine this with a make shift imager matrix via using a modified dual mid/side approach and your golden. Or make it sound more dynamic, make the instrument sound full, or eventually emulate a chorus effect with detuning. The cool thing about this to is it will work on stereo tracks while using stereo delays for example and you still get both the L/R taps in mono to come out in mono. Detuning is one of the most common, and most easiest to explain method to make a sound change it's color. This can be done live or in the mixing stage. I wasnt really thinking about the Pitchfactor as I dont really feel the need to have a harmonizer, however if I get the chance I may look at getting one anyway. That way it sounds huge in mono and stereo without phase issues. I have a Time Factor that I like, but Ive never been able to get a detune effect out of it. There's ways around the mono summed phase issues too by basically choosing the best take (or the ADT track(s)) and keeping that for the mono mix while setting up the double tracked take to completely cancel out in when summed to mono. All double tracking (even manually) can potentially lead to phase issues, especially when the mix is summed to mono. Detune Dry / wet Downloads Win 32 VST (0.8 Mb) Bacon (5 / 5) For FL Users experiencing issues with the knob positions/adjustments not being saved during launch, or even when restarting playback, an easy solution is to use an automation clip on the desired knob. EVH Chorus does not do detune, is inspired by DC-30 chorus. If you want it wider and push up the volume it will start to phase or thin out eventually. The detune effect is more prominent/effective if you use a wet/dry (two amps) setup or the best option is to run wet/dry/wet (three amps) My most simple setup was a Boss dd2 delay and a Hotone Harmony in the effects loop of my single amp. It will be a subtle, but noticable and effective method. If you use the HAAS delay effect like 12-20ms delay and keep the level roughly 16-26db+ below the source signal (-20db usually works good) it will come out wider than without it but not phasey either. Pretty sure the original ADT (automatic double tracking) that the Beatles guy used was with a tape delay fed in parallel with the original track. This is the first video in my basic effects series, where I take a look at basic effects and processing you will likely do when designing voices like I do.
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